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Juan Gris
Fruit dish pipo and newspaper
mk112
1917
92x65.5cm
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Juan Gris
Strawberry Jam
mk112
1917
Oil on canvas
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Juan Gris
Guitar winebottle and cup
mk112
1917
Oil on canvas
73x92cm
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Juan Gris
Sideboard
mk1917
Oil on canvas
116.2x93.1cm
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Juan Gris
The man play fiddle
mk112
1918
Oil on canvas
92x60cm
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Juan Gris
Landscape
mk112
1918
Oil on canvas
90x64cm
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Juan Gris
People
mk112
1918
Oil on canvas
100x65cm
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Juan Gris
A long-stemmed
mk112
1918
Oil on canvas
62x39cm
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Juan Gris
Village
mk112
1918
Oil on canvas
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Juan Gris
The wine Crock
mk112
1918
Oil on canvas
55x38cm
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Juan Gris
Mill hand
mk112
1918
Oil on canvas
100x81cm
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Juan Gris
Single small round table
mk112
1918
Oil on canvas
55x38cm
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Juan Gris
Bottle Cup and newspaper
mk112
1918
Oil on canvas
41x26.7cm
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Juan Gris
Clown
mk112
1919
Oil on canvas
90x70cm
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Juan Gris
Clown
mk112
1919
Oil on canvas
100x65m
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Juan Gris
The clown playing Guitar
mk112
1919
Oil on canvas
116x89cm
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Juan Gris
Guitar and fruit dish
mk112
1919
Oil on canvas
92x73.5cm
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Juan Gris
Guitar Pipe and Score
mk112
1920
Oil on canvas
81x65cm
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Juan Gris
Fruit dish and bottle
mk112
1920
Oil on canvas
60x73cm
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Juan Gris
Guitar
mk112
1920
Oil on canvas
65x81.5cm
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| Juan Gris
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1887-1927
Born in Madrid, he studied mechanical drawing at the Escuela de Artes y Manufacturas in Madrid from 1902 to 1904, during which time he contributed drawings to local periodicals. From 1904 to 1905 he studied painting with the academic artist Jose Maria Carbonero.
In 1906 he moved to Paris and became friends with Henri Matisse, Georges Braque, Fernand Leger, and in 1915 he was painted by his friend, Amedeo Modigliani. In Paris, Gris followed the lead of another friend and fellow countryman, Pablo Picasso. His portrait of Picasso in 1912 is a significant early Cubist painting done by a painter other than Picasso or Georges Braque. (Although he regarded Picasso as a teacher, Gertrude Stein acknowledged that Gris "was the one person that Picasso would have willingly wiped off the map.")
Portrait of Picasso, 1912, The Art Institute of Chicago.Although he submitted darkly humorous illustrations to journals such as Le Rire, L'assiette au beurre, Le Charivari, and Le Cri de Paris, Gris began to paint seriously in 1910. By 1912 he had developed a personal Cubist style.
At first Gris painted in the analytic style of Cubism, but after 1913 he began his conversion to synthetic Cubism, of which he became a steadfast interpreter, with extensive use of papier coll??. Unlike Picasso and Braque, whose Cubist works were monochromatic, Gris painted with bright harmonious colors in daring, novel combinations in the manner of his friend Matisse.
In 1924, he first designed ballet sets and costumes for Sergei Diaghilev and the famous Ballets Russes.
Gris articulated most of his aesthetic theories during 1924 and 1925. He delivered his definitive lecture, Des possibilit??s de la peinture, at the Sorbonne in 1924. Major Gris exhibitions took place at the Galerie Simon in Paris and the Galerie Flechtheim in Berlin in 1923, and at the Galerie Flechtheim in D??sseldorf in 1925.
He died in Boulogne-sur-Seine (Paris) in the spring of 1927 at the age of forty, leaving a wife, Josette, and a son, Georges.
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